The one thing that I think we need to reclaim as storytellers is to have no shame because when I see Bernardo Bertolucci tackle the story of The Last Emperor of China and make a magnificent film, I say why can’t I do whatever I want. Because when I went to America after my father’s kidnapping, they kept giving me mariachi, toreador and drug dealer screenplays and I said you wouldn’t send a Royal Mounted Police screenplay to Cronenberg. What the fuck are you giving me this stuff? The first act of racism we can do is against ourselves. So, we should not have it. We should be shameless and free to tell whatever story we want to tell — Guillermo del Toro
There are many reason to love Guillermo del Toro and speaking his mind is one of them. I love that he believes storytellers should be shameless and free to tell whatever story we want to tell.
Yes, he works in the realm of science fiction, fantasy and horror, so yes, it seems he is freer in those genres to do whatever the fuck he wants.
My goal is to be shameless and free as a storyteller. I hate the possibility of being burdened with conventions and constructs that seem inherent in any genre you write in. That is why I believe in the story first. Fuck the idea of genres. They are a way of labelling a literary or cinematic story so it’s easier to market for the publishing companies or movie industry.
As I’ve said in previous blog posts, I don’t think of genre when I create and work on a story. It figuratively handcuffs me. There’s no room to breathe. There’s no room to push the envelop past the point of discomfort or unacceptability. Do I envy people who follow and work within a literary construct? No. It feels cookie cutter to me. It feels creatively stifling. It’s boring. It feels like I’d rather gouge my eyes out than conform for no good reason other than ‘that’s the way it’s always been.’ It’s not how I create.
I also hate the burden of the idea of appropriation. To be free and shameless in your storytelling allows you to be anything or anyone. But can you tell the story of someone who is not from your own ethnic background? Yes, I do. If you do the research, if you are respectful of the material, the people and the culture, yes, it can be done. It has been done. Hell, you can throw all the tried and true tropes out the fucking window and create your ideal world where your characters can live the way you see them.
The characters, void of ethnicity and gender, and their stories matter to me. Ethnicity and gender are just ingredients that add colour and flavour to the story. There are many other things that add colour and flavour — location, the characters’ backstories and experiences, the characters’ motivations and intentions.
Will I ever get called out for not telling the stories of my ancestors? I don’t know. But I do have a question for those who would ask the question of how could I possibly write something that I couldn’t possibly know like the back of my hand. I would ask ‘why would I intentionally limit my imagination and storytelling abilities because of my ethnicity and gender?’ I would listen to their response, then tell them to go fuck themselves.
During my field research trip, I had a number of epiphanous moments tied directly to my current writing project. These moments, on a certain level, were deeply personal and I can count on one hand the number of people who are and will be privy to hearing about these moments. It’s not something I care to share with everyone. But these moments will inform, shape and hopefully, add more nuance to the storytelling.
That is something I’m looking forward to.