Writing is more than a gift. It is a struggle that blesses those who see it through to the end — Nona Mae King
Even though I’ve finished writing the manuscript for my second novel and all the moving parts needed to turn it into a book are in play, I still don’t see myself as an author/novelist.
I’m fine with the word ‘writer.’ But ‘author’ and ‘novelist’ seem to carry a bit more weight and I hesitate to think of myself as having earned the right to describe myself as such.
I probably should wear the mantle of ‘author’ or ‘novelist’ more readily and without complaint considering I did complete two novels. To imagine the number of folks out there who have started writing a novel/story but never got around to finishing it for a variety of reasons, I should be proud of my achievements.
And I am proud of what I’ve done so far. As a storyteller, the second book will show the progression I’ve made from the first novel. My writing mentor has told me that my growth as a writer has been huge. I’m grateful for his comments especially when everything about the second book has been guided by research and instincts. I challenged myself on a number of levels. I’ll elaborate more on that later when the book comes out. But it’s always been my intent to push myself as a storyteller and the only way to do that is to challenge myself with the kinds of stories I want to write.
I have heard that once you write one book, the others that follow become easier. That may be correct in terms of knowing what needs to be done once the story is written. You know, all the post-production stuff (excuse the use of terminology that is more common with filmmaking) — the editing, determining the design of the book cover, where the book will be printed, etc. I’m speaking as a person who has done nothing but self-publish. Publishing houses and literary agents are foreign concepts I have not encountered yet.
But when it comes to the actual writing of the novel or story, you do develop a better or more defined sense of how you want to map out and plan the story arc and the story arcs of your characters for the next book. But it doesn’t make telling the story any easier.
It’s kinda like when you workout. As you get stronger, the exercises and movements don’t get easier. They get harder because you know what you’re doing, you have your technique and you expect higher standards for yourself. You automatically set new goals for yourself.
The differences in approach between my first and second novels are not quite night and day but they sure as hell look that way. The story dictated my approach to each novel. Different stories, different needs, different approaches. I already know my approach for the third novel will be some sort of hybrid of the previous two with some options thrown in.
Yeah, I’m already thinking about a third novel when the second one hasn’t quite made its transition to book form. To be honest, the idea of laying the groundwork (let’s call it pre-production) for a third novel so quickly is a little surprising to me.
I dawdled and dicked around for almost two years before the premise of the second novel hit me full-throttle a over two years ago. Four years between books. I guess that’s normal for some folks. I don’t remember what I was doing exactly for two years after the first book came out. Again I was probably dicking around. But I know I was trying to figure out what the fuck I was going to write as my second book.
And it seems I won’t be dicking around for another couple years before the right story idea pops into my head. I’m quite pleased that I can gradually start working on the third book idea and then really start tackling the pre-production once the second book comes out.
I did have a story idea I was trying to develop before my boys charged into my psyche and demanded they be the second book. They were awfully persuasive. How could I resist.
That story idea is still on the board. I have a feeling it’s going to morph into something else but I haven’t figured what that will be. And no, this idea is not what I’m contemplating for the third novel. The set of characters are entirely different.
And I have a music playlist for the third novel already. Yeah, I know. What the fuck, right? There’s a certain aesthetic that’s been running around in my head for awhile since I finished the manuscript for the second novel and it’s reflected in the playlist.
The biggest question I need to answer is, can the aesthetic, that has been crawling around in the nook and crannies of my imagination, work in the story or do I borrow bits from it and create something new or different to suit the story and its characters? It’s a big-ass question that needs to be answered before any more pre-production can be done and before any writing can be done.
I think I know what the answer might be but it’s something I’ll need to bounce off my mentor. Maybe hash out a few ideas. He’s always good for that.
It should be interesting.