In many a piece of music, it’s the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe — Pico Iyer
I’m not sure whether any of my writing has included a lot of empty space on the page so a reader can complete my thoughts and sentences. Do I want them to complete my thoughts and sentences? I don’t know. I’d prefer they come to their own conclusions about what I’ve presented them. I don’t see the point in telling the reader to finish my thoughts. I don’t think that’s part of how I define my job description. I could be wrong, though.
But I do whole-heartedly believe in giving a reader’s imagination room to breathe, or at least let them catch their breath (if you know what you’re doing, of course). I believe that is part and parcel of letting a reader come to their own conclusions.
While empty space isn’t exactly on my mind when I’m staring at a blank page, I do think about pacing and intensity — when to find the quiet moments, when to ramp things up, when to hold your breath and when to breathe. Dynamics, not monotony. I think I have natural ebbs and flows in my storytelling abilities. It’s not something I overthink. I’m not sure how successful I am at it, though. Haven’t heard any mutterings on that front. Not yet.
When I think of empty space, I tend to think visually and aurally. I understand it when I see and hear it in a film. It is also something that can be felt and tugs at your emotions. Moonlight does that for me.
Words can’t describe how that movie has affected me. Everything about that movie is perfection. I say that because of how it pulled me in from the first scene, right to the last words spoken in the film. I gotta tell you, those last words were so powerful, honest, vulnerable and heartfelt enough that it made me cry sitting in the theatre.
There are very few films that have the evocative power to move me this way. In fact, I can’t think of another film that has done what Moonlight did to me. I tend to go for the wild ride, the hold-your-breath type of films. Moonlight is it for me. It is one of those gems that you find once, maybe twice in a lifetime. Writer/director Barry Jenkins knows how to use empty space. You see it in the cinematography. You see it in the actors’ eyes and their physicality. You hear it in Nicholas Britell’s music score. You feel it in the dialogue. It’s inspiring. It has stirred something in my soul and it demands to be expressed or manifested in some way in my own life. It’s a process. I’m going to let it play out. I look at it with curiosity and embrace the possibilities to come.
If I can convert a small fraction the empty space I see in my imagination and shape it into something beautiful and, maybe, transcendent, into words the way Jenkins converted words into visuals for Moonlight, I will be one very happy camper.