Earworm — a song that sticks in your mind and will not leave no matter how much you try.
Last week, I spoiled myself and went to the movie theatre twice. I watched American Assassin and Kingsman: The Golden Circle. Loved both of them. I must have a thing for spy/action movies. Rom-coms can take a hike. The only one I might sit through is Love, Actually.
I’ve always had a soft spot for Michael Keaton so it was great to see him again on the big screen. I have to say the man ages well. I have no problem looking at him.
But I was impressed by Dylan O’Brien as the lead protagonist. I haven’t seen him in anything before this which is probably good because the stuff he’s been in isn’t what I would normally watch. There wouldn’t have been anything that would have put him on my radar before American Assassin. Wrong demographic. Next time, I’d like to see him sink his teeth into a dramatic role and surprise me.
Now that I’ve watched the film, I have plans to read the book the film was adapted from. It’s sitting on the kitchen counter right now. Waiting for me. Yeah, it along with a whole bunch of other books vying for my attention. My curiosity about the characters piqued my interest in the book and I want to know more of their backstory and their character development that two-hour film doesn’t show the viewer.
And of course, I was listening to the film score. And yes, I will be downloading the score in the near future.
With Kingsman: The Golden Circle, I was just looking to be entertained after a long work day. And entertained I was. Right from the get-go. Chase scenes and fight scenes were superb as usual.
What makes those scenes, aside from the choreography, is the music. It’s a bit of an assault on the senses, specifically, sight and hearing. You see this awesome scene in front of you and your ears pick up on the music and it turns into one big badass party.
The final fight scene was epic. Not just because of who were going toe-to-toe (who knew I would a long cold drink after that one. I certainly didn’t… ah, my newest fantasy trio), but also because of the music used for that scene.
Who remembers Word Up by Cameo? Yes, that was the song for the epic fight scene. But it wasn’t performed by Cameo. It was performed by The BossHoss, a Berlin band who started out in 2004 turning hit pop, rock and hip-hop songs into country & western ditties. Didn’t recognize it until they started singing the lyrics. Holy fucking crap! Up until then, I didn’t know how badly I needed this version in my life. I couldn’t help but dance in my seat. Picking that song for that scene — pure genius.
I believe all the music selected for the film falls on its director Matthew Vaughan. I’d like to pick his brain. Word Up turned into an earworm for me. But it wasn’t the only song to catch my ear.
Inexplicably, John Denver’s Take Me Home, Country Roads and Annie’s Song have been bouncing around in my head. Damn that man for using them in the film. This isn’t the first time I’ve heard a John Denver song used in a movie. Logan Lucky uses it. However, it wasn’t as jarring to hear it in that film as it was to hear it in Kingsman.
But you gotta love the contrast of all things American and British. It couldn’t be more apparent in the music selection. Speaking of which, Elton John is absolutely hilarious in the movie. Fucking. Hilarious. That’s all I can say.
And since I enjoyed that movie so damned much, I’m going to watch it again. Reinforce those earworms, why don’t I. Well, that and the eye candy. Subjecting myself to the eye candy is a good thing… as long as I have a tall, cold drink in hand.